Dulcet tones and hymnal backing vocals produced a calming sense of stillness at the Ritz Manchester last night.
Bipolar Sunshine lulled me into a trance only to rouse me from the slumber with beautiful melodies and lyrics that rang out like anthems.
It was an interesting experience, and yet somehow unexpected, despite the purposeful use of juxtaposition within his studio material and new creative direction.
Harmonic vocals ensnared the crowd and while lyrics, ‘I feel the fire’ echoed around the room so too did the rapturous applause once the last note was played. Sunset orange filled the stage for the aptly titled, Fire, and while Bipolar was quiet, the cheering continued.
Bipolar Sunshine, real name: Adio Marchant, knew exactly what he was doing on stage but yet didn’t need to do much at all. The audience were with him all of the way – phones and plastic cups of beer in the air, leaving Marchant and the band to continue without gimmicks.
Addressing the crowd near the end of his set, he declared: “I always make sure the last place I play is Manchester,” before rapping acapella in his uniquely crafted spoken-word style. Though Bipolar has made a conscious decision to step away from a sound synonymous with Manchester, you only had to look around at the indie crowd to know he’s made a mark on the alternative music scene here.
Relatable on stage without unnecessary decoration, reverberating drumbeats and synths added striking depth to his musical offerings. Magic was created when other genres like Ska seeped through and the crescendo of a four-piece band touched the soul of every person in the audience.
Performing all of the best tracks in his arsenal: Where Did The Love Go, Rivers, Love More Worry Less, I suspect we’ll be waiting until festival season to see him live again. Marking the last few minutes of his UK tour with Daydreamers, at least I have the album on my hard drive to see me through to summer.
Originally published on Mancunian Matters